Our bookshop offers one of the city’s most impressive selections of catalogs, monographs, and theoretical works about contemporary art and architecture. Alongside a wide array of the latest specialized magazines and books, new publications are added every month that relate to the exhibitions at Kunsthalle Basel and the S AM Swiss Architecture Museum.

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Recommendation by Eveline Wüthrich, Reception and Bookshop
The book tells a whole life story. The life of artist Lilly Keller. In conversation with Fredi Lerch and as a literary portrait she goes back in history. She remembers earlier times when she was in search of her own art and the encounters with famous names at the time. She describes the art scene of the 1950s and 60s in Bern and her private universe La Fenettaz in a Vaudois farmhouse. Her collages, oil paintings and later self-woven tapestries are inspired by nature and the collection of rare bamboo varieties from all over the world growing in her park. The many anecdotes from the past take you back in time. Her comments up to the present day give insight into her world of thoughts and into a life worth living. “With will you achieve nothing. In art, will is the worst thing. The next thing just comes. You just can’t want it”. (Lilly Keller)

Recommendation by Maximilian Rück, Reception and Bookshop Assistant
The fascinating thing about Carl Andre is that his artistic practice is just as full of signs and forms as it is of free spaces and gaps. This is also reflected in the catalogue and his large-scale installation Black Wholes in the galleries of Kunsthalle Basel from 2005. The handy catalogue conveys the clash of principles of order that are typical of Carl Andre – the unconditional minimalist who is also a lover of detail. Andre loves constructed labyrinthine lines and fields. With many large-format photographs, interviews and notes, the 63-page catalogue leads us through Andre’s meditative rhythm of graphite stones and cubes, his concrete poetry and lyrical fragments. Black Wholes makes us suspect that there is something to be discovered where we thought we only saw gaps.

Recommendation by Katrin Krumm, PR&Communication Assistant
When moving and sometimes maneuvering our body through the everyday world, we direct ourselves physically towards or away from objects and other bodies. In her book Queer Phenomenology, Sara Ahmed reveals how our orientation and navigation form our social relations and how queerness manages to disrupt and reorder these routines. Practically, Ahmed‘s philosophical writing helped me prepare to give guided tours through Bizarre Silks, Private Imaginings and Narrative Facts, etc., a group exhibition by Nick Mauss. It features the works, some of which were highly discussed or gave rise to controversies at their time, of artists that deal (provocatively) with typical issues of the queer body such as (in)visibility, prejudice, HIV, and silencing. Their relevance has not vanished over time and so they still remind us today, like Ahmed’s writings, to claim and „reinhabit“ spaces.

Recommendation by Fiona Kauer, Reception and Bookshop
When we look at the concept of reconciliation, we find very different definitions. Is reconciliation an individual affair, a necessary means to continue living together or a political task? On the basis of the exchange of letters between Arendt and the National Socialist and philosopher Heidegger, the authors approach this question in On Reconciliation. The friendship of the two shows how to deal with ethically unacceptable opinions. The focus here is on the separability of work and author. As a possible solution, Thomas pleads in his essay for a suspension of philosophical authority. “If [Heidegger] was so completely wrong in this respect – where else was he wrong?” asks Thomas and shows that a separation of work and author is not necessary for reconciliation – rather, we must practice critical reading.

Recommendation by Salomé Neuhaus, Reception and Bookshop
Valentine Schlegel: je dors, je travaille gives insight into the life and work of the French artist Valentine Schlegel. Schlegel was born in 1925 in Sète, a port city in south-eastern France, growing up in a family of craftsmen it shaped her relationship with tools and her love of handmade things. She created curvaceous ceramic vases whose contours are inspired by the outlines of plants and shells, stoneware pipes in the shape of birds and sculptural plaster fireplaces. With poetic photographs, the book shows how Valentine Schlegel lived simply and yet very enjoyably in the South, it also deals with the problem of creating art that is designed for personal spaces and therefore has little room in the museum system. This also explains Schlegel’s unfortunate limited museum presence and makes the book for me all the more important.

Recommendation by Rinny Biberstein, Head of Reception and Bookshop
An in-depth history of Carol Bove’s work, beginning in 2015 London, we meander between sculptures and installations, jumping back to ’98, Brooklyn, developing chronologically afterwards, focusing on Boves numerous styles and career as an artist. Herbert heightens our awareness towards decoding her work, deepening the art history and objectiveness it conducts and sharing an image every 4-6 pages. We learn Bove’s pieces in ’98 are inspired by pin-ups from the 60’ies, later creating installations, quoting artists, linking her work to feminism, Buddhism, peacock feathers, driftwood, to name just some of the materials she uses. Giving herself rules, allowing herself to break them only to press on with the development of her work. An easy to carry book, the cover a grass green close up of one of her latest works, Icon, 2019. I can highly recommend it, it’s inspiration is endless.

Recommendation by Maximilian Rück, Reception and Bookshop Assistant
There are several catalogs by the German-Iranian artist Bettina Pousttchi that I like to leaf through – especially in her illustrated book Framework. With her photographs and sculptures, Pousttchi touches on moments that permanently accompany us in our everyday lives. In her work, I discover over and over again places where my own path has led me: Her gigantic installations at the Messeplatz in Basel and in the Frankfurt Kunsthalle or her provocative but sensitive miniature replica of the Palast der Republik in Berlin. Although I haven’t seen Pousttchi’s solo exhibition at Kunsthalle Basel in 2011 myself, I can wander through her installation with the catalog “Framework”. The oddly piled up crowd barriers, photographs of screen-distorted clocks, and airport scenes address me visually, unsettle me and make me curious.

Recommendation by Nora Weber, Reception and Bookshop Assistant
Humorous, sophisticated, practical … many adjectives apply to the small-format booklet Wie man Bücher klaut (engl. How to shoplift books) by David Horvitz. On 80 pages, the American artist brings together a total of 80 suggestions written in large typeface on how a book can be stolen from a bookstore and thus answers a question I have never asked myself before. His ideas range from short and concise pragmatic tips to complicated and detailed descriptions. These stimulate my imagination and make me grin – the humorous character of this booklet leaves a philosophical note that inspires me. Be it for stealing books, for the creative realization of a theme or for expanding your own horizon.

Recommendation by Elena Filipovic, Director
Its spine reads, SONTAG, in bold letters. It’s cover, a black and white picture of its glamorous muti-hyphenate subject: critic-intellectual-cinephile-diarist-novelist-playwright-activist-filmmaker-diva, Susan Sontag. I’m reading it because Sontag was a ferociously astute reader of culture whose writing never ceases to inspire me personally—both for what she, in her most incandescent moments, did better than anyone else and also for what she sometimes failed to do. Call it inspiration through absence! In between and around its covers and spine are 816 pages of hard-nosed biographical investigation, catty details, unsparing facts, and some cheap psychological interpretations, but above all gorgeous writing about Sontag, the writer, the human, the lover, and let’s just say it, the selfish meany. In other words, enough pages to accompany you when you need a looong distraction.