New: extended until October 5, 2008
Can a gesture be a word?
Word Event looks at a select group of makers who carry on a tradition of subversive methodology in their practice and attitude.
Word Event is a multi-level cross-sectioned exhibition of contemporary works, events, performances and informances, scores, printed matter and film. Taking George Brecht’s “Word Event” (1961), a handwritten Event Card, as its starting point, the exhibition attempts to displace itself by purposely seeking out confrontation and synchronization thus landing in the exhibition space as an active dialogue. Word Event points to a possible return of a fluxus sensibility via a new, contemporary, proverbial linguistic turn.
Artists today – or more precisely, ‘cultural producers’ – are reactivating a language based and, specifically, narrative based practice. Creating room for conversation and leveling the hierarchy of production between sketch, thought and product, this linguistic turn approaches the surface of the metaphorical page as an ‘exchange surface’, ‘as a space of shift between different mediums, in which, as Rancière puts it, “signs become forms and forms become acts.”’ 
Works by the artists in Word Event contain an active ‘displacement’ (or exchange) between word and image, the narrative and the picture, which occurs on many levels, in different media – from the more ephemeral to the concrete, as rumours, scripts, instructions, lectures, posters, objects and a seance. A sculpture turns into a conversation, a lecture into a series of posters, the unassuming viewer into a story; he receives directives by photograph, listens to a score purposefully mirrored while gambling to new rules under the watchful eyes of the Jack of Spades. Word Event is the happy hijacking of space by language where installations, film, the stage, the book and sound live together in one converged setting.
Curated by Maxine Kopsa and Roos Gortzak
 Quoted from ‘The Space of Words’ by Christophe Gallois, Metropolis M, nr 2 2008, who cites Rancière’s L’Espace des mots, Musée des Beaux-Arts de Nantes, 2005, p. 13, translation by Christophe Gallois.
Online review and video of the opening at Vernissage-TV
A series of performances took place on the opening night, Saturday, June 28, 2008:
7 – 9pm Abstract gambling at the solid felt table with Dir. of Behavior, Michael Portnoy (video of the performance at Vernissage-TV)
7.30pm Performance by André Avelãs (video of the performance at Vernissage-TV)
8pm John Cage: Indeterminacy,* recited by Will Holder and accompanied by Falke Pisano’s A Sculpture Turning Into a Conversation
This exhibition has been generously supported by: