Kunsthalle Basel is delighted to present the first solo show by the French artist Mathieu Kleyebe Abonnenc in Switzerland.
In his quest to give voice to alternative, so-called “minor histories”, the artist Mathieu Kleyebe Abonnenc engages myriad forms of historical research and representation, focusing on historical facts and figures endangered by oblivion or misinterpretation. For most of the past decade, the Paris-based artist, who was born in French Guyana, has worked with the history of colonisation and decolonisation, in which he explores the complex relationship between the struggle for independence and the construction of identity. Rather uniquely, Abonnenc’s role in his research-based projects and exhibitions becomes that of evocating the historical legacy of others, as opposed to becoming himself the author or subject of the histories he limns.
At Kunsthalle Basel, Abonnenc’s exhibition, entitled “Songs for a Mad King,” will transform the main exhibition space into a temporary memorial to the music and personality of the American musician, singer, and composer Julius Eastman (1940–1990). Eastman’s singular and inimitable contribution to contemporary, avant-garde classical music will be on display in Switzerland for the first time, with his three compositions for four grand pianos—Evil Nigger (1979), Gay Guerrilla (1980), and Crazy Nigger (1980)—publicly performed during the duration of Abonnenc’s show. The installation itself will consist of the grand pianos, which will be used during rehearsals held three times a week, as well as during the public concerts taking place every Saturday during the run of the exhibition. Together with professional pianists from Basel, the Parisian conductor Jean-Christophe Marti will rehearse Eastman’s three works for piano in front of the exhibition audience, who will also be asked to participate in the performance of Crazy Nigger.
The exhibition’s title refers to a 1969 recording, Eight Songs for a Mad King, by Peter Maxwell Davies. At the center of this theatrical musical composition stands the figure of a flamboyant king who attempts to teach a group of caged birds to sing. It was Eastman himself who sang the role of the infamous king in Davies’s recording, leading Abonnenc to title his Kunsthalle Basel show—a work of strange, affecting homage—Songs for a Mad King.
Timeschedule public rehearsals and concerts:
Evil Nigger, 1979, Gay Guerrilla, 1979, Crazy Nigger, 1980 –
Compositions for four pianos by Julius Eastman (1940-1990), rehearsals and concerts led by Jean-Christoph Marti, played by the pianists Marta Casulleras, Andriy Dragan, Benoît Hennecart, Lukas Rickli, Faristamo Susi und Judith Wegmann.
Saturday, Febuary 9, 6pm: Evil Nigger, 1979
Saturday, Febuary 16, 6pm: Gay Guerrilla, 1979
Saturday, Febuary 23, 6pm: Crazy Nigger, 1980
Sunday, Febuary 3, 10am-1pm & 3-6pm
Tuesday, Febuary 5, 2-5pm
Wednesday, Febuary 6, 2-5pm
Friday, Febuary 8, 2-5pm
Tuesday, Febuary 12, 2-5pm
Wednesday, Febuary 13, 12-5pm
Friday, Febuary 15, 2-5pm
Friday, Febuary 22, 11am-1pm & 2-4pm
Tuesday, Febuary 26, 2-5pm
Wednesday, Febuary 27, 2-5pm
Thursday, Febuary 28, 2-5pm
Saturday, March 2, 6pm: Evil Nigger, 1979; Gay Guerrilla, 1979; Crazy Nigger, 1980
Saturday, March 9, 6pm: Evil Nigger, 1979
Saturday, March 16, 6pm: Gay Guerrilla, 1979
Sunday, March 24, 6pm: Evil Nigger, 1979; Gay Guerrilla, 1979; Crazy Nigger, 1980
Friday, March 1, 2-5pm
Tuesday, March 5, 2-5pm
Wednesday, March 6, 2-5pm
Friday, March 8, 2-5pm
Tuesday, March 12, 2-5pm
Wednesday, March 13, 2-5pm
Friday, March 15, 2-5pm
Tuesday, March 19, 2-5pm
Wednesday, March 20, 2-5pm
Friday, March 22, 2-5pm
Sunday, March 24, 11am-1pm
The exhibition is supported by the Embassy of France, Berne. In collaboration with La Bottega Del Pianoforte, Lugano.