For his first solo exhibition at a European institution, Detroit-born sculptor Matthew Angelo Harrison (* 1989) creates a monumental installation of 3-D machine technologies, African artifacts, and workers’ labor union paraphernalia to merge the cruel history of colonialism with the formalist legacy of Minimalism.

Press clippings:
Detroit’s Artistic Renaissance: Meet the Creatives Leading the Way, WMAGAZINE (11/2019)
Place and persistence: Hanif Abdurraqib and Matthew Angelo Harrison in conversation, Cultured Magazine (1/2020)