{"title":"THE POETICS OF BEAUTY WILL INEVITABLY RESORT TO THE MOST BASE PLEADINGS AND OTHER WILES IN ORDER TO SECURE ITS RELEASE","metaTitle":"THE POETICS OF BEAUTY WILL INEVITABLY RESORT TO THE MOST BASE PLEADINGS AND OTHER WILES IN ORDER TO SECURE ITS RELEASE · Kunsthalle Basel","uri":"exhibitions/tiona-nekkia-mcclodden","hide_title":false,"teasermode":false,"hide_artists":false,"artists":[{"uri":"artists/tiona-nekkia-mcclodden","title":"Tiona Nekkia McClodden","firstname":"Tiona Nekkia","surname":"McClodden"}],"startdate":1685052000,"enddate":1691877600,"medias":[{"url":"https://www.kunsthallebasel.ch/media/pages/exhibitions/tiona-nekkia-mcclodden/38ce75e262-1749624540/tionanekkiamcclodden_kunsthallebasel_2023_03-x1400-q90.webp","type":"image","extension":"jpg","width":3328,"height":2221,"alt":"Kunsthalle Basel","caption":"Tiona Nekkia McClodden,THE POETICS OF BEAUTY WILL INEVITABLY RESORT TO THE MOST BASE PLEADINGS AND OTHER WILES IN ORDER TO SECURE ITS RELEASE, Kunsthalle Basel, 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McClodden,THE POETICS OF BEAUTY WILL INEVITABLY RESORT TO THE MOST BASE PLEADINGS AND OTHER WILES IN ORDER TO SECURE ITS RELEASE, Kunsthalle Basel, 2023, exhibition view, central: A MERCY IV, 2023, left and right: THRASHER [I-XVI], 2023, photo: Philipp Hänger / Kunsthalle Basel","id":"exhibitions/tiona-nekkia-mcclodden/tionanekkiamcclodden_kunsthallebasel_2023_09.jpg"},{"url":"https://www.kunsthallebasel.ch/media/pages/exhibitions/tiona-nekkia-mcclodden/a1d0796895-1749462399/tionanekkiamcclodden_kunsthallebasel_2023_02-x1400-q90.webp","type":"image","extension":"jpg","width":1244,"height":1442,"alt":"Kunsthalle Basel","caption":"Tiona Nekkia McClodden, DOUBLE BIND, 2023, video, installation view, in: Tiona Nekkia McClodden, THE POETICS OF BEAUTY WILL INEVITABLY RESORT TO THE MOST BASE PLEADINGS AND OTHER WILES IN ORDER TO SECURE ITS RELEASE, Kunsthalle Basel, 2023, photo: Philipp Hänger / Kunsthalle 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For her very first institutional solo exhibition in Europe, Tiona Nekkia McClodden (b. 1981) weaves together a body of all new work to continue her ongoing exploration of the intersections of control, mercy, threat, desire, and pleasure. Imagining the whole of her exhibition as a kind of theoretical choke valve, the US-American artist showcases sculpture based on readymade elements used in the cattle industry, paintings on leather, video, and performance that provoke a distinct sensorial encounter as much as an intellectual and emotional one.

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The exhibition is supported by LEAP, the Manizeh and Danny Rimer Collection and the Rennie Collection, Vancouver, with additional support from the Ernst und Olga Gubler-Hablützel Stiftung and Saint Laurent.

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