Die zärtlichen als auch beunruhigenden Filme, Skulpturen, Installationen und Performances von Geumhyung Jeong (* 1980) sind häufig so etwas wie Studien zum Animismus. In ihrer ersten Einzelausstellung in der Schweiz richtet die südkoreanische Künstlerin und Choreografin ihr Augenmerk auf die erotische Anziehungskraft eines auf Technologie ausgerichteten Animismus. Sie entwickelt eine grossformatige Installation mit zahlreichen roboterartigen Skulpturen, die sie selbst mittels Heimwerkertechniken gebaut hat, und mit Kurzfilmen, welche die seltsamen, von den «selbstgebauten» Körpern ausgeführten, choreografierten Bewegungsabläufe erklären. Wie so oft in ihrem Werk hinterfragt das Ensemble die Grenzen zwischen Verlangen und Kontrolle, Mensch und Maschine, Belebtem und Unbelebtem.
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Die Ausstellung und Performances wurden ermöglicht durch die grosszügige Unterstützung von der Luma Stiftung und Fundación Almine y Bernard Ruiz-Picasso para el Arte mit zusätzlicher Unterstützung vom Ministry of Culture, Sports and Tourism, Korea Arts Management Service, Fund for Korean Art Abroad sowie von SongEun Art and Cultural Foundation und der freundlichen Mithilfe von Laurence Geoffrey’s, Ltd.
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